komatsu
in his blog wrote a review of my site, at http://d.hatena.ne.jp/origami I can’t read the Japanese, but Google translates it as follows "Brown Paper" The Origami-L and the Terry densely with by way of, you knew that it is the private sight of the Israeli Saadya Sternberg for the first time. As for knowing the name of this one, perhaps it was the article of offering the time, you think paper detective group 85. Rather than calling the Joisel wind, the photograph of the mask work of the feeling, pink valley wind (or Brill wind) attracted the attention. The photograph has been recorded recently even with the article of the Brill of 91. Certainly it probably is to be the person who awakes suddenly in such modelling, you thought vaguely, but is when you try looking at the works which are in the ANIMALS of the sight the classic the work of style having lined up, just a little you were surprised. These animal works seem like those of old time, but the gap is interesting . " Saadya's Cats " This person it was contributed to the Origami-L, the PDF file in the snapping figure of the cat (from inside sight it cannot trace this with link, we would like to see). Work from sinking cover. *** My guess is that the above means something like this BROWN PAPER By way of the Origami-List as well as Nicolas Terry, I have seen the personal site of the Israeli Saadya Sternberg for the first time. As for how I knew his name, perhaps it was from a recent article, I think Tanteidan issue 85. Although the article speaks of a 'Joisel style', a 'Brill style', and a '???? ['pink valley'] style', it was the feeling in the mask work that drew my attention. The photograph appeared again recently in the Brill article of [issue] 91 . Surely, I vaguely thought, here is a person who has awakened suddenly into this sort of sculpture; but when I tried looking at the works in the ANIMALS section of the site, and comparing their classic style, I was just a little surprised. Those animal works seem like traditional ones, but the gap is interesting. Saadya's Cats The same person contributed to the Origami-List a PDF file with the striking diagram of the Cat (a link cannot be traced to this from within the site, as we would like to see). [Work from sinking cover] ?????. *** In response to this honor, I mumbled back (presuming to speak for us all) how highly regarded Komatsu is here in Israel.... Saadya
in his blog wrote a review of my site, at http://d.hatena.ne.jp/origami I can’t read the Japanese, but Google translates it as follows "Brown Paper" The Origami-L and the Terry densely with by way of, you knew that it is the private sight of the Israeli Saadya Sternberg for the first time. As for knowing the name of this one, perhaps it was the article of offering the time, you think paper detective group 85. Rather than calling the Joisel wind, the photograph of the mask work of the feeling, pink valley wind (or Brill wind) attracted the attention. The photograph has been recorded recently even with the article of the Brill of 91. Certainly it probably is to be the person who awakes suddenly in such modelling, you thought vaguely, but is when you try looking at the works which are in the ANIMALS of the sight the classic the work of style having lined up, just a little you were surprised. These animal works seem like those of old time, but the gap is interesting . " Saadya's Cats " This person it was contributed to the Origami-L, the PDF file in the snapping figure of the cat (from inside sight it cannot trace this with link, we would like to see). Work from sinking cover. *** My guess is that the above means something like this BROWN PAPER By way of the Origami-List as well as Nicolas Terry, I have seen the personal site of the Israeli Saadya Sternberg for the first time. As for how I knew his name, perhaps it was from a recent article, I think Tanteidan issue 85. Although the article speaks of a 'Joisel style', a 'Brill style', and a '???? ['pink valley'] style', it was the feeling in the mask work that drew my attention. The photograph appeared again recently in the Brill article of [issue] 91 . Surely, I vaguely thought, here is a person who has awakened suddenly into this sort of sculpture; but when I tried looking at the works in the ANIMALS section of the site, and comparing their classic style, I was just a little surprised. Those animal works seem like traditional ones, but the gap is interesting. Saadya's Cats The same person contributed to the Origami-List a PDF file with the striking diagram of the Cat (a link cannot be traced to this from within the site, as we would like to see). [Work from sinking cover] ?????. *** In response to this honor, I mumbled back (presuming to speak for us all) how highly regarded Komatsu is here in Israel.... Saadya