המלצות
- פותח הנושא Psycho BuZZ
- פורסם בתאריך
יופי של קליפ
מזכיר את הקליפ ל-Move Your Feet של ג'וניור סיניור. ובכלל האלבום האחרון של שדואו אנדרייטד לחלוטין. כנראה נמאס לו שמתייגים אותו בתור "אמן רציני ואליטסטי", בא לו לעשות קצת כיף, אז יצא לו אולי אלבום שהוא לא חדשני וחשוב כמו שמצפים משדואו אבל כיפי לגמרי וזה בסדר גמור. וחוצמזה, Enuff (בלינק ביצוע של השיר אצל לטרמן) עם קיו-טיפ ולאטיף הוא מבחינתי אחד הסינגלים הכי טובים של 2006.
מזכיר את הקליפ ל-Move Your Feet של ג'וניור סיניור. ובכלל האלבום האחרון של שדואו אנדרייטד לחלוטין. כנראה נמאס לו שמתייגים אותו בתור "אמן רציני ואליטסטי", בא לו לעשות קצת כיף, אז יצא לו אולי אלבום שהוא לא חדשני וחשוב כמו שמצפים משדואו אבל כיפי לגמרי וזה בסדר גמור. וחוצמזה, Enuff (בלינק ביצוע של השיר אצל לטרמן) עם קיו-טיפ ולאטיף הוא מבחינתי אחד הסינגלים הכי טובים של 2006.
ראיון עם מארק רונסון
ולילי אלן ב-Urb - כאן (למי שרוצה לקרוא על לילי שיכנס ללינק, אני אעתיק את הראיון עם מארק לפה) DEEP COVER forget the traditional remix or over-produced mash-up, mark ronson sheds his celebrity skin by covering the stars old school style BY JASON NEWMAN PHOTOGRAPHY BY ZOREN GOLD & MINORI MURAKAMI "Can you hold on one sec?," asks the voice with a British accent that assures politeness. "I'm just finishing up something." From the control room in the studio of New York label Allido Records, producer-DJ-Allido co-owner Mark Ronson cues up a track that may or may not end up on Version, his highly anticipated all-covers album due out in April. The mix is rough, but you can already hear the musical elements that are quickly becoming the "Ronson sound": crisp hip-hop breaks, prominent bass lines and a thunderous horn section recalling The JB's, The Memphis Horns and countless deep-funk one-hit wonders. Perhaps it's fitting that the first time I meet Ronson-by his peers's accounts, a classic perfectionist-he's working in the studio. Although, with a lean frame and stylish fashion sense, he wouldn't be out of place at your standard hipster concert. At 31, he could pass for someone a decade younger, and speaks with a detached coolness recalling Julian Casablancas after a long night out. When he name-drops-and given his connections, the gossip rags would pay a bundle for his SIM card-there's not a hint of cockiness or showing off. Ronson reminds you of the grandfather who, no matter the topic, always has an interesting story. "I had Method Man dancing on a table, screaming to [Joan Jett's] 'I Love Rock and Roll' before that song became a DJ cliché," he says proudly, when the subject of rock in hip-hop clubs comes up. The Mark Ronson that had Meth going crazy in the late '90s - let's call him Ronson the DJ to avoid confusion - is still alive, but is laying low to let Ronson the Producer try to shine. In early 2006, word started spreading in the UK about Ronson's funk cover of Radiohead's "Just." The track became a radio and club phenomenon and earned the respect of DJs the world over, as well as the band itself. "I was just blown away the second I heard it," said renowned DJ Zane Lowe, whose BBC Radio 1 show was one of the first to play the song. "It's the kind of record you can play to pretty much any floor and get a reaction. When I played it for [Radiohead guitarist] Ed [O'Brien], he loved every second of it." The widespread success of "Just," originally found on the Radiohead tribute album Exit Music: Songs for Radio Heads, galvanized Ronson to create more covers and leads us to where we are today. During our first interview, he'll routinely stop talking to play me some of the demos that will eventually make up Version. The album, anchored by the deep funk horns of The Dap-Kings (best known for backing up Sharon Jones), retains the same funky vibe as "Just," mixing instrumentals (Coldplay's "God Put a Smile Upon Your Face") with re-interpreted covers (Britney Spears's "Toxic" with a posthumous verse from ODB) that destroy any notion of a "novelty" record. "When I started making this album, there was nothing deep to it. It was just songs I really liked," Ronson admits. "Most people would rather listen to the original version of a song. But for me, I've always been drawn to the cover 'cause I love hearing something different. I think in one way, I was just making what I wanted to hear. For this album, and I think my production in general, the beat and having the groove have always been the underlying elements. That will never change." While every song on Version takes on a recent hit (including a collaboration with co-cover star Lily Allen on the Kaiser Chiefs's "Oh My God"), the big band/Wall of Sound production focuses as much on older Ronson influences Phil Spector and Quincy Jones, as RZA and The Bomb Squad. Mash-ups are boring. Bring in the live band to make old school the future. "I guess one day, I'll be diagnosed with Lenny Kravitz Disease, where everything sounds better if it's from the '60s and '70s," he says with a laugh. "I'm not gonna be a snob and say, 'Nothing's good.' I think people make great music now. But the old shit just usually sounds better to me for whatever reason. You look at the early 1960s to mid-1970s in music and there was just a string of 15 years where it feels like all the great shit was made." As Lowe puts it: "He's able to capture a mood and a moment from the past but make it sound fresh. It doesn't sound like he's going into the vaults and just doing cut-and-paste covers. Everything he touches has a class and style to it but can still appeal to grimey rappers like Ol' Dirty Bastard." Version will be the latest in a production career going back to 2001, when Ronson co-produced Nikka Costa's Everybody Got Their Something. Here Comes the Fuzz, his debut full-length that sounded more party mixtape than proper album, would follow two years later and, while disappearing quickly Stateside, earned him an international hit with "Ooh Wee." More recently, Ronson has been at the boards for a diverse group of artists, including Ghostface Killah, UK soul singer Amy Winehouse and pop superstar Robbie Williams. For Ronson, music has always been a central part of life. The son of a socialite and real-estate mogul, he was born in London but relocated to New York when he was eight. As a child, thanks to having Foreigner's Mick Jones as a stepfather, Ronson hung out with rock royalty and was constantly surrounded with music, learning the drums early on (he has since picked up nearly half a dozen more instruments). At 14, he started a rock band, but it was funk (specifically, a devotion to The Brand New Heavies) and hip-hop that would eventually become his obsessions. "I think my earliest understanding of producing music was from a very hip-hop point of view," Ronson recalls. "When I decided I wanted to be a producer, I didn't go out and buy a bunch of mics and recording gear. I bought an MPC."
ולילי אלן ב-Urb - כאן (למי שרוצה לקרוא על לילי שיכנס ללינק, אני אעתיק את הראיון עם מארק לפה) DEEP COVER forget the traditional remix or over-produced mash-up, mark ronson sheds his celebrity skin by covering the stars old school style BY JASON NEWMAN PHOTOGRAPHY BY ZOREN GOLD & MINORI MURAKAMI "Can you hold on one sec?," asks the voice with a British accent that assures politeness. "I'm just finishing up something." From the control room in the studio of New York label Allido Records, producer-DJ-Allido co-owner Mark Ronson cues up a track that may or may not end up on Version, his highly anticipated all-covers album due out in April. The mix is rough, but you can already hear the musical elements that are quickly becoming the "Ronson sound": crisp hip-hop breaks, prominent bass lines and a thunderous horn section recalling The JB's, The Memphis Horns and countless deep-funk one-hit wonders. Perhaps it's fitting that the first time I meet Ronson-by his peers's accounts, a classic perfectionist-he's working in the studio. Although, with a lean frame and stylish fashion sense, he wouldn't be out of place at your standard hipster concert. At 31, he could pass for someone a decade younger, and speaks with a detached coolness recalling Julian Casablancas after a long night out. When he name-drops-and given his connections, the gossip rags would pay a bundle for his SIM card-there's not a hint of cockiness or showing off. Ronson reminds you of the grandfather who, no matter the topic, always has an interesting story. "I had Method Man dancing on a table, screaming to [Joan Jett's] 'I Love Rock and Roll' before that song became a DJ cliché," he says proudly, when the subject of rock in hip-hop clubs comes up. The Mark Ronson that had Meth going crazy in the late '90s - let's call him Ronson the DJ to avoid confusion - is still alive, but is laying low to let Ronson the Producer try to shine. In early 2006, word started spreading in the UK about Ronson's funk cover of Radiohead's "Just." The track became a radio and club phenomenon and earned the respect of DJs the world over, as well as the band itself. "I was just blown away the second I heard it," said renowned DJ Zane Lowe, whose BBC Radio 1 show was one of the first to play the song. "It's the kind of record you can play to pretty much any floor and get a reaction. When I played it for [Radiohead guitarist] Ed [O'Brien], he loved every second of it." The widespread success of "Just," originally found on the Radiohead tribute album Exit Music: Songs for Radio Heads, galvanized Ronson to create more covers and leads us to where we are today. During our first interview, he'll routinely stop talking to play me some of the demos that will eventually make up Version. The album, anchored by the deep funk horns of The Dap-Kings (best known for backing up Sharon Jones), retains the same funky vibe as "Just," mixing instrumentals (Coldplay's "God Put a Smile Upon Your Face") with re-interpreted covers (Britney Spears's "Toxic" with a posthumous verse from ODB) that destroy any notion of a "novelty" record. "When I started making this album, there was nothing deep to it. It was just songs I really liked," Ronson admits. "Most people would rather listen to the original version of a song. But for me, I've always been drawn to the cover 'cause I love hearing something different. I think in one way, I was just making what I wanted to hear. For this album, and I think my production in general, the beat and having the groove have always been the underlying elements. That will never change." While every song on Version takes on a recent hit (including a collaboration with co-cover star Lily Allen on the Kaiser Chiefs's "Oh My God"), the big band/Wall of Sound production focuses as much on older Ronson influences Phil Spector and Quincy Jones, as RZA and The Bomb Squad. Mash-ups are boring. Bring in the live band to make old school the future. "I guess one day, I'll be diagnosed with Lenny Kravitz Disease, where everything sounds better if it's from the '60s and '70s," he says with a laugh. "I'm not gonna be a snob and say, 'Nothing's good.' I think people make great music now. But the old shit just usually sounds better to me for whatever reason. You look at the early 1960s to mid-1970s in music and there was just a string of 15 years where it feels like all the great shit was made." As Lowe puts it: "He's able to capture a mood and a moment from the past but make it sound fresh. It doesn't sound like he's going into the vaults and just doing cut-and-paste covers. Everything he touches has a class and style to it but can still appeal to grimey rappers like Ol' Dirty Bastard." Version will be the latest in a production career going back to 2001, when Ronson co-produced Nikka Costa's Everybody Got Their Something. Here Comes the Fuzz, his debut full-length that sounded more party mixtape than proper album, would follow two years later and, while disappearing quickly Stateside, earned him an international hit with "Ooh Wee." More recently, Ronson has been at the boards for a diverse group of artists, including Ghostface Killah, UK soul singer Amy Winehouse and pop superstar Robbie Williams. For Ronson, music has always been a central part of life. The son of a socialite and real-estate mogul, he was born in London but relocated to New York when he was eight. As a child, thanks to having Foreigner's Mick Jones as a stepfather, Ronson hung out with rock royalty and was constantly surrounded with music, learning the drums early on (he has since picked up nearly half a dozen more instruments). At 14, he started a rock band, but it was funk (specifically, a devotion to The Brand New Heavies) and hip-hop that would eventually become his obsessions. "I think my earliest understanding of producing music was from a very hip-hop point of view," Ronson recalls. "When I decided I wanted to be a producer, I didn't go out and buy a bunch of mics and recording gear. I bought an MPC."
המשך
The upper-crust upbringing led to more than a few misjudgments. "He was described to me as this socialite-royalty type of guy. The son of a rock star, DJ extraordinaire, whatever and I'm like, 'Man, I'm about to go to the greatest studio ever,'" recalls Allido rapper Rhymefest of his initial encounter with the producer. "Mark was just in this little, messy room, shuffling through records, looking like one of the Beastie Boys in the '80s. I was like 'Yo, where's Mark Ronson?'" Where's Mark Ronson? For years, the answer to this one depended on who you were, where you hung out and what circles you ran in. In the mid-'90s, when he first started DJing in New York, you may have been at one of countless, as he puts it, "hole-in-the-wall" hip-hop clubs downtown. Fast-forward a few years and, if you were lucky, you partied at one of Ronson's weekly DJ gigs immortalized by Jay-Z on his 1999 hit "So Ghetto." ("Wednesdays, I'm up in Shine/Cheetah's Monday night/I'm fuckin' with the model chicks Friday night at Life," proclaimed the rapper, referencing all three of Ronson's residencies at the time.) Or maybe you saw Tom Cruise go wild when Ronson dropped the Top Gun theme song over a beat while DJing his recent wedding. (It's OK. We didn't see it either.) If New York in the '90s was The Warriors-hip-hoppers, artists and "model chicks" all sticking to their respective turfs-Ronson was the Cyrus that brought 'em all together. Not since The Roxy in the early-'80s had rappers mingled with the fashionista and bankers. And Ronson found himself at the center of the party. As his stature grew, so too did the demand for gigs, which included numerous corporate fashion parties-as many as four a week-for names like Dolce & Gabbana and Tommy Hilfiger. (That's him DJing the funeral scene in Zoolander.) While the sets weren't that different from what was being heard downtown, it helped put Ronson's name all over the tabloids and earned him a title he's now ready to shed: Celebrity DJ. "A lot of people didn't know I had been a hip-hop DJ for years, so I think I just became an easy target," says Ronson. "They started seeing my name on [New York Post gossip column] Page 6, and then the term 'celebrity DJ' came about. I didn't even know if that meant I was a C-list celebrity 'cause I was DJing at these parties or it was because I DJed for celebrities. Either way, it was a bunch of fuckin' hokey shit." To be honest, Ronson didn't have to accept all the invitations. But he will admit a certain naiveté to his corporate-party past. "At the time, I was young and didn't even think about the whole credibility thing. After a while, though, I mostly stopped DJing those things because I probably do have a bit more of a credibility complex than other people. I never wanted to be famous for DJing. I started it, but it was more something that I really enjoyed doing, [something] that could help support myself while I was working on my music. Now, it's just better to erase all the memories the only way I know how: with the level and quality of my music."
The upper-crust upbringing led to more than a few misjudgments. "He was described to me as this socialite-royalty type of guy. The son of a rock star, DJ extraordinaire, whatever and I'm like, 'Man, I'm about to go to the greatest studio ever,'" recalls Allido rapper Rhymefest of his initial encounter with the producer. "Mark was just in this little, messy room, shuffling through records, looking like one of the Beastie Boys in the '80s. I was like 'Yo, where's Mark Ronson?'" Where's Mark Ronson? For years, the answer to this one depended on who you were, where you hung out and what circles you ran in. In the mid-'90s, when he first started DJing in New York, you may have been at one of countless, as he puts it, "hole-in-the-wall" hip-hop clubs downtown. Fast-forward a few years and, if you were lucky, you partied at one of Ronson's weekly DJ gigs immortalized by Jay-Z on his 1999 hit "So Ghetto." ("Wednesdays, I'm up in Shine/Cheetah's Monday night/I'm fuckin' with the model chicks Friday night at Life," proclaimed the rapper, referencing all three of Ronson's residencies at the time.) Or maybe you saw Tom Cruise go wild when Ronson dropped the Top Gun theme song over a beat while DJing his recent wedding. (It's OK. We didn't see it either.) If New York in the '90s was The Warriors-hip-hoppers, artists and "model chicks" all sticking to their respective turfs-Ronson was the Cyrus that brought 'em all together. Not since The Roxy in the early-'80s had rappers mingled with the fashionista and bankers. And Ronson found himself at the center of the party. As his stature grew, so too did the demand for gigs, which included numerous corporate fashion parties-as many as four a week-for names like Dolce & Gabbana and Tommy Hilfiger. (That's him DJing the funeral scene in Zoolander.) While the sets weren't that different from what was being heard downtown, it helped put Ronson's name all over the tabloids and earned him a title he's now ready to shed: Celebrity DJ. "A lot of people didn't know I had been a hip-hop DJ for years, so I think I just became an easy target," says Ronson. "They started seeing my name on [New York Post gossip column] Page 6, and then the term 'celebrity DJ' came about. I didn't even know if that meant I was a C-list celebrity 'cause I was DJing at these parties or it was because I DJed for celebrities. Either way, it was a bunch of fuckin' hokey shit." To be honest, Ronson didn't have to accept all the invitations. But he will admit a certain naiveté to his corporate-party past. "At the time, I was young and didn't even think about the whole credibility thing. After a while, though, I mostly stopped DJing those things because I probably do have a bit more of a credibility complex than other people. I never wanted to be famous for DJing. I started it, but it was more something that I really enjoyed doing, [something] that could help support myself while I was working on my music. Now, it's just better to erase all the memories the only way I know how: with the level and quality of my music."
Psycho BuZZ
New member
כמה דברים חדשים + ראיון עם פרעה
VA - Rapper's Delight And Other Old School Favorites 01 - Sugarhill Gang - Rapper's Delight 05:06 02 - Furious Five Meets Sugarhill Gang - 05:55 Showdown 03 - Sylvia - It's Good To Meet The Queen 04:46 04 - Treacherous Three - Yes We Can-Can 07:00 05 - Spoonie Gee - Spoonie Is Back 06:39 06 - Newcleus - Jam On It 08:04 07 - Grandmaster Melle Mel - Jesse 06:14 08 - Trouble Funk - Hey Fellas 07:22 09 - West Street Mob - Let's Dance 06:51 (Make Your Body Move) 10 - Grandmaster Flash & The Furious Five - 07:13 The Message ÄÄÄÄÄ 65:10 min אוסף קלאסיקות היפ-הופ לעניין, שיצא כחלק מסדרת אוספים Retro Gold. Common - Play Your Cards Right ft. Bilal מתוך סרט חדש שנקרא "Smokin' Aces" בו קומון משתתף בעצמו בתפקיד קטן לצד בן אפלק, אנדי גרסיה, אלישיה קיז, ריי ליוטה ואחרים. הופק ע"י Karriem Riggins שזכור מכמה עבודות עם קומון בעבר. Smif 'N' Wessun - Like A Champion חומר חדש של שני אמסיז נחמדים מאוד. הפקה של Ayatollah, נלקח מתוך האוסף Soundchronicles Vol. 1 שיכלול גם שירים של מאסטה אייס, שון פרייס, קורמגה ועוד. ראיון חדש עם פרעה מונץ'. יש לי ציפיות גבוהות גבוהות מ-Desire, כמו לכולם, אני מניח.
VA - Rapper's Delight And Other Old School Favorites 01 - Sugarhill Gang - Rapper's Delight 05:06 02 - Furious Five Meets Sugarhill Gang - 05:55 Showdown 03 - Sylvia - It's Good To Meet The Queen 04:46 04 - Treacherous Three - Yes We Can-Can 07:00 05 - Spoonie Gee - Spoonie Is Back 06:39 06 - Newcleus - Jam On It 08:04 07 - Grandmaster Melle Mel - Jesse 06:14 08 - Trouble Funk - Hey Fellas 07:22 09 - West Street Mob - Let's Dance 06:51 (Make Your Body Move) 10 - Grandmaster Flash & The Furious Five - 07:13 The Message ÄÄÄÄÄ 65:10 min אוסף קלאסיקות היפ-הופ לעניין, שיצא כחלק מסדרת אוספים Retro Gold. Common - Play Your Cards Right ft. Bilal מתוך סרט חדש שנקרא "Smokin' Aces" בו קומון משתתף בעצמו בתפקיד קטן לצד בן אפלק, אנדי גרסיה, אלישיה קיז, ריי ליוטה ואחרים. הופק ע"י Karriem Riggins שזכור מכמה עבודות עם קומון בעבר. Smif 'N' Wessun - Like A Champion חומר חדש של שני אמסיז נחמדים מאוד. הפקה של Ayatollah, נלקח מתוך האוסף Soundchronicles Vol. 1 שיכלול גם שירים של מאסטה אייס, שון פרייס, קורמגה ועוד. ראיון חדש עם פרעה מונץ'. יש לי ציפיות גבוהות גבוהות מ-Desire, כמו לכולם, אני מניח.
Psycho BuZZ
New member
גבוהות מאוד*
Psycho BuZZ
New member
משהו מגניב שגיליתי
Beatman & Rockin' - Who's Supa Now 01. Confidence and Style ft. DJ Noize 02. Get Connected ft. Craig G, ADL & Gemstar25 03. Little Darling ft. Linn 04. Brighter Days ft. Context 05. Mean Streak ft. Louis Logic 06. Soul Migel 07. Beatman & Rockin' ft. Wildchild & Peerce P 08. Trunk Music 09. Old Friendship ft. ADL 10. Potato 11. Find a Way ft. Timbuktu & Chords 12. Three Black Men ft. Wildchild, Jahi, Maylay Sparks & DJ Noize 13. Red Velvet ft. Gemstar25 14. Turbo Galactic ft. ADL 15. Atlantic ביטמן & רוקין הם צמד מפיקים פאנקיים מדנמרק שהוציאו לפני כמה חודשים אלבום מעולה שמארח הרבה חבר'ה טובים כמו וויילדצ'יילד ופרסי פי מ-stones throw, לאויס לוג'יק, הטורנטייבליסט הדני המפורסם דיג'יי נויז, קרייג ג'י האגדי ורבים אחרים. הרבה היפ-הופ טוב, ראפ, שירה, אינסטרומנטלי, הכל. שירים מומלצים במיוחד: "Little Darling" עם זמרת מגניבה בשם לין,"Beatman & Rockin'" ו-"Three Black Men". אמור לצאת מתישהו בעתיד אלבום משותף שלהם עם לואיס לוג'יק, אגב. תבדקו כמה טעימות במייספייס.
Beatman & Rockin' - Who's Supa Now 01. Confidence and Style ft. DJ Noize 02. Get Connected ft. Craig G, ADL & Gemstar25 03. Little Darling ft. Linn 04. Brighter Days ft. Context 05. Mean Streak ft. Louis Logic 06. Soul Migel 07. Beatman & Rockin' ft. Wildchild & Peerce P 08. Trunk Music 09. Old Friendship ft. ADL 10. Potato 11. Find a Way ft. Timbuktu & Chords 12. Three Black Men ft. Wildchild, Jahi, Maylay Sparks & DJ Noize 13. Red Velvet ft. Gemstar25 14. Turbo Galactic ft. ADL 15. Atlantic ביטמן & רוקין הם צמד מפיקים פאנקיים מדנמרק שהוציאו לפני כמה חודשים אלבום מעולה שמארח הרבה חבר'ה טובים כמו וויילדצ'יילד ופרסי פי מ-stones throw, לאויס לוג'יק, הטורנטייבליסט הדני המפורסם דיג'יי נויז, קרייג ג'י האגדי ורבים אחרים. הרבה היפ-הופ טוב, ראפ, שירה, אינסטרומנטלי, הכל. שירים מומלצים במיוחד: "Little Darling" עם זמרת מגניבה בשם לין,"Beatman & Rockin'" ו-"Three Black Men". אמור לצאת מתישהו בעתיד אלבום משותף שלהם עם לואיס לוג'יק, אגב. תבדקו כמה טעימות במייספייס.
KarenTheGoddess
New member
אני שומעת עכשיו..
ווידצ'ילד פשוט מגניב. תמיד תהיה לי חיבה לראפ שלו.. הפלואו והקול המיוחד. בנתיים כדאי להמשיך לשמוע
ווידצ'ילד פשוט מגניב. תמיד תהיה לי חיבה לראפ שלו.. הפלואו והקול המיוחד. בנתיים כדאי להמשיך לשמוע
Psycho BuZZ
New member
היפ-הופ אינסטרומנטלי
Thes One - Lifestyle Marketing 01. Gate City Savings And Loan 02. Northwestern Bell 03. Target 04. Hy - Vee 05. F&F Daily C 06. Hart Ski 07. Grainbelt Beer 08. Bobcat 09. Cheetah 10. GBX Malt Liqour 11. Crystal Sugar 12. Northwestern Bell 21 3. Pan-Am 14. Outro כבר כמה ימים שאני מחכה כדי להאזין לכל האלבום הזה כמו שצריך. למי שלא מכיר את השם Thes One, אולי יכיר את שם הצמד המוכשר שבו הוא חבר - People Under The Stairs. הפעם הוא החליט ללכת על משהו שונה, אלבום אינסטרומנטלי עם קונספט שמתרכז ברימיקסים לפרסומות ישנות משנות ה-70. שומע ברגע זה, פשוט מעולה...
Thes One - Lifestyle Marketing 01. Gate City Savings And Loan 02. Northwestern Bell 03. Target 04. Hy - Vee 05. F&F Daily C 06. Hart Ski 07. Grainbelt Beer 08. Bobcat 09. Cheetah 10. GBX Malt Liqour 11. Crystal Sugar 12. Northwestern Bell 21 3. Pan-Am 14. Outro כבר כמה ימים שאני מחכה כדי להאזין לכל האלבום הזה כמו שצריך. למי שלא מכיר את השם Thes One, אולי יכיר את שם הצמד המוכשר שבו הוא חבר - People Under The Stairs. הפעם הוא החליט ללכת על משהו שונה, אלבום אינסטרומנטלי עם קונספט שמתרכז ברימיקסים לפרסומות ישנות משנות ה-70. שומע ברגע זה, פשוט מעולה...
עד המלצה - Martin Luther
לא....לא מרטין לותר קינג,רק מרטין לותר... הבחור הוא חלק מזרם חדש יחסית שמכונה Rock-nu-soul שהוא,כדילכמן: רוק משולב עם ניו סול
בקצרה,לכל חובבי הרוק הקלאסי והסול החדש, לכל מי שחולה על סולו גיטרה מזדמן ובאותה מידה על זעקת נשמה... כל מי שרוצה לשמוע את ג'יל סקוט מתארחת אצל פינק פלויד......טוב,קצת הגזמתי, אבל הבנתם אני מקווה. מוזיקה מעולה מזמר/ נגן מעולה שמשתף פעולה המון עם הרוטס ודיאנג'לו, יוצר מוזיקה מעולה בפני עצמו... Martin Luther - Rebel Soul Music אולי בעתיד אתן המלצה יותר מאסיבית לאלבום הזה, אבל בנתיים תעשו לעצמכם טובה ופשוט תאמינו לי...
לא....לא מרטין לותר קינג,רק מרטין לותר... הבחור הוא חלק מזרם חדש יחסית שמכונה Rock-nu-soul שהוא,כדילכמן: רוק משולב עם ניו סול
Psycho BuZZ
New member
חרא נדיר
(VA - The Roadium Classic Mixtapes: 20 Foe 7um (Dr. Dre Mixtape ¦¦ 01. ¦¦ Dr Dre And Eazy-E - Freestyle Intro ¦¦ ¦¦ 02. ¦¦ Krazy-D - Freestyle ¦¦ ¦¦ 03. ¦¦ Biz Markie - Pickin Boogers ¦¦ ¦¦ 04. ¦¦ Big Daddy Kane - Somethin Funky ¦¦ ¦¦ 05. ¦¦ Dr Dre - Shout Outs ¦¦ ¦¦ 06. ¦¦ Steady B - Dont Disturb This Groove ¦¦ ¦¦ 07. ¦¦ Kool Moe Dee - How Ya Like Me Now ¦¦ ¦¦ 08. ¦¦ Heavy D - Overweight Lover In The House ¦¦ ¦¦ 09. ¦¦ Tone Loc - On Fire ¦¦ ¦¦ 10. ¦¦ Whodini - Be Yourself ¦¦ ¦¦ 11. ¦¦ Sir Jinx And Krazy-D - Intro ¦¦ ¦¦ 12. ¦¦ N.W.A. - Panic Zone ¦¦ ¦¦ 13. ¦¦ Audio Tech - Im Your Audio Tech ¦¦ ¦¦ 14. ¦¦ Dynamix II - Just Give The DJ A Break ¦¦ ¦¦ 15. ¦¦ DJ Kj - Lets Get This Party Started ¦¦ ¦¦ 16. ¦¦ Maggotron - The Planet Of Bass ¦¦ ¦¦ 17. ¦¦ Anquette - Shake It ¦¦ ¦¦ 18. ¦¦ L.S. Fresh - You Cant Get No Pussy ¦¦ טוני איי, דיג'יי מפורסם מלוס אנג'לס, החליט להוציא מחדש את כל המיקסטייפים שנעשו בימים הטובים בחנויות תקליטים קטנות ע"י דיג'יים ואמנים מקומיים. הראשון מבין רבים (מקווה) הוא אחד שדרה הוציא עוד לפני ש-N.W.A & The Posse יצא (1987). נייס סטאף.
(VA - The Roadium Classic Mixtapes: 20 Foe 7um (Dr. Dre Mixtape ¦¦ 01. ¦¦ Dr Dre And Eazy-E - Freestyle Intro ¦¦ ¦¦ 02. ¦¦ Krazy-D - Freestyle ¦¦ ¦¦ 03. ¦¦ Biz Markie - Pickin Boogers ¦¦ ¦¦ 04. ¦¦ Big Daddy Kane - Somethin Funky ¦¦ ¦¦ 05. ¦¦ Dr Dre - Shout Outs ¦¦ ¦¦ 06. ¦¦ Steady B - Dont Disturb This Groove ¦¦ ¦¦ 07. ¦¦ Kool Moe Dee - How Ya Like Me Now ¦¦ ¦¦ 08. ¦¦ Heavy D - Overweight Lover In The House ¦¦ ¦¦ 09. ¦¦ Tone Loc - On Fire ¦¦ ¦¦ 10. ¦¦ Whodini - Be Yourself ¦¦ ¦¦ 11. ¦¦ Sir Jinx And Krazy-D - Intro ¦¦ ¦¦ 12. ¦¦ N.W.A. - Panic Zone ¦¦ ¦¦ 13. ¦¦ Audio Tech - Im Your Audio Tech ¦¦ ¦¦ 14. ¦¦ Dynamix II - Just Give The DJ A Break ¦¦ ¦¦ 15. ¦¦ DJ Kj - Lets Get This Party Started ¦¦ ¦¦ 16. ¦¦ Maggotron - The Planet Of Bass ¦¦ ¦¦ 17. ¦¦ Anquette - Shake It ¦¦ ¦¦ 18. ¦¦ L.S. Fresh - You Cant Get No Pussy ¦¦ טוני איי, דיג'יי מפורסם מלוס אנג'לס, החליט להוציא מחדש את כל המיקסטייפים שנעשו בימים הטובים בחנויות תקליטים קטנות ע"י דיג'יים ואמנים מקומיים. הראשון מבין רבים (מקווה) הוא אחד שדרה הוציא עוד לפני ש-N.W.A & The Posse יצא (1987). נייס סטאף.
Psycho BuZZ
New member
עוד מיקסטייפ
(VA - Statik Selektah And Q-Tip-The Look Of Love (Hip-Hop Is Alive ██▄ 01 00:26 Q-Tip°-°"One Love" Intro ▄██ ██▄ 02 04:07 Common feat. J Dilla°-°I Used To Love H.E.R. ▄██ ██▄ (Look Of Love Remix) ▄██ ██▄ 03 02:43 The Roots feat. Common°-°Act Too... Love Of My ▄██ ██▄ Life ▄██ ██▄ 04 03:42 The Roots°-°What They Do ▄██ ██▄ 05 03:38 Busta Rhymes feat. Q-Tip°-°Hold The Torch ▄██ ██▄ 06 02:43 Slum Village feat. Q-Tip°-°Hold Tight ▄██ ██▄ 07 03:42 Common°-°The Light (Original & Remix) ▄██ ██▄ 08 02:51 A Tribe Called Quest°-°Find My Way ▄██ ██▄ 09 02:51 A Tribe Called Quest°-°The Love ▄██ ██▄ 10 02:51 Bush Babees & Mos Def°-°The Love Song ▄██ ██▄ 11 00:35 Q-Tip°-°Interlude ▄██ ██▄ 12 03:23 Little Brother°-°Lovin It ▄██ ██▄ 13 03:23 De La Soul°-°Much More ▄██ ██▄ 14 02:58 Termanology & DC°-°This Is Hip Hop ▄██ ██▄ 15 02:13 Biggie & Pac°-°The Old School (Showoff Mix) ▄██ ██▄ 16 03:22 Skillz°-°Hip Hop Died?? ▄██ ██▄ 17 03:07 Hi Tek feat. Talib Kweli°-°Can We Go Back? ▄██ ██▄ 18 04:50 Erykah Badu & Common°-°Love Of My Life ▄██ ██▄ 19 02:38 J Dilla feat. Common & D'Angelo°-°So Far To Go ▄██ ██▄ 20 03:07 Common°-°Love Is... ▄██ ██▄ 21 04:02 Talib Kweli°-°Two And Two ▄██ ██▄ 22 04:58 Snoop feat. Busta Rhymes, Dr Dre & ▄██ ██▄ D'Angelo°-°Imagine (Remix) ▄██ ██▄
(VA - Statik Selektah And Q-Tip-The Look Of Love (Hip-Hop Is Alive ██▄ 01 00:26 Q-Tip°-°"One Love" Intro ▄██ ██▄ 02 04:07 Common feat. J Dilla°-°I Used To Love H.E.R. ▄██ ██▄ (Look Of Love Remix) ▄██ ██▄ 03 02:43 The Roots feat. Common°-°Act Too... Love Of My ▄██ ██▄ Life ▄██ ██▄ 04 03:42 The Roots°-°What They Do ▄██ ██▄ 05 03:38 Busta Rhymes feat. Q-Tip°-°Hold The Torch ▄██ ██▄ 06 02:43 Slum Village feat. Q-Tip°-°Hold Tight ▄██ ██▄ 07 03:42 Common°-°The Light (Original & Remix) ▄██ ██▄ 08 02:51 A Tribe Called Quest°-°Find My Way ▄██ ██▄ 09 02:51 A Tribe Called Quest°-°The Love ▄██ ██▄ 10 02:51 Bush Babees & Mos Def°-°The Love Song ▄██ ██▄ 11 00:35 Q-Tip°-°Interlude ▄██ ██▄ 12 03:23 Little Brother°-°Lovin It ▄██ ██▄ 13 03:23 De La Soul°-°Much More ▄██ ██▄ 14 02:58 Termanology & DC°-°This Is Hip Hop ▄██ ██▄ 15 02:13 Biggie & Pac°-°The Old School (Showoff Mix) ▄██ ██▄ 16 03:22 Skillz°-°Hip Hop Died?? ▄██ ██▄ 17 03:07 Hi Tek feat. Talib Kweli°-°Can We Go Back? ▄██ ██▄ 18 04:50 Erykah Badu & Common°-°Love Of My Life ▄██ ██▄ 19 02:38 J Dilla feat. Common & D'Angelo°-°So Far To Go ▄██ ██▄ 20 03:07 Common°-°Love Is... ▄██ ██▄ 21 04:02 Talib Kweli°-°Two And Two ▄██ ██▄ 22 04:58 Snoop feat. Busta Rhymes, Dr Dre & ▄██ ██▄ D'Angelo°-°Imagine (Remix) ▄██ ██▄
Psycho BuZZ
New member
ועוד מיקסטייפ איכותי
Black Milk - Pressure (The Official Mix CD) | 01| Black Milk - Intro | | | 02| Black Milk - Sound The Alarm (feat. Guilty Simpson) | | | 03| Black Milk - Let's Go (feat. Pharoahe Monch) | | | 04| Black Milk - Do Ya Thing (feat. J. Dilla) | | | 05| Black Milk - ReUnion (feat. J. Dilla) | | | 06| Black Milk - Eternal (feat. Baatin) | | | 07| Black Milk - Pressure | | | 08| Black Milk - Keep It Live (feat. Mr. Porter) | | | 09| Black Milk - Door (feat. J Dilla) | | | 10| Black Milk - What Is This | | | 11| Black Milk - Hell Naw | | | 12| Black Milk - Sound Of The City (feat. Fat Ray & Elzhi) | | | 13| Black Milk - Da Facelift (Canibus) | | | 14| Black Milk - Danger (feat. Phat Kat & T3) | | | 15| Black Milk - Bang Dis Shit (feat. Nametag) | | | 16| Black Milk - Applause | | | 17| Black Milk - Home Of The Greats | | | 18| Black Milk - Ez Up (Slum Village) | | | 19| Black Milk - About Me | | | | | | ------------------------------------------------------------------------| Total Time: | 52:52 min |
ראיתם אותי מדבר פה על הבחור הזה כמה פעמים, והיורש הצעיר של דילה ממשיך לעבוד קשה כדי להשאיר חותמת בהיפ-הופ. מיקסטייפ חדש ו"רשמי" לקראת האלבום. hot shit!ראם זה השם
New member
פאנתי חסיד
New member
די ג'יי קוויק חדש
כשראיתי את הראפר/מפיק הענק האהוב עליי בסילבסטר, הוא עצר את ההופעה קצת אחרי האמצע ואמר שלמען האמת, נמאס לו כבר מהצליל הישן של הווסט קוסט, נמאס לו מהקלאסיקות, הגיע הזמן לעשות משהו חדש . מיד לאחר מכן התנגן השיר הזה - אני נגנבתי. הסגנון נשמע קצת כמו הדירטי סאות', אבל כמו תמיד אצל קוויק יש גם איזשהו ערך מוסף. הביט ממכר, AMG שעושה את הבית הראשון מעולה והבית של קוויק הוא בית ספר לאיך לזרום על ביטים כאלה. חובה לשמוע
כשראיתי את הראפר/מפיק הענק האהוב עליי בסילבסטר, הוא עצר את ההופעה קצת אחרי האמצע ואמר שלמען האמת, נמאס לו כבר מהצליל הישן של הווסט קוסט, נמאס לו מהקלאסיקות, הגיע הזמן לעשות משהו חדש . מיד לאחר מכן התנגן השיר הזה - אני נגנבתי. הסגנון נשמע קצת כמו הדירטי סאות', אבל כמו תמיד אצל קוויק יש גם איזשהו ערך מוסף. הביט ממכר, AMG שעושה את הבית הראשון מעולה והבית של קוויק הוא בית ספר לאיך לזרום על ביטים כאלה. חובה לשמוע
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