Helen Folosade Adu

raven beats

New member
Helen Folosade Adu../images/Emo77.gif

AKA Sade נולדה היומ לפני 47 שנה בניגריה... דיסקוגרפיה: lovers live (2002) lovers rock (2000) the best of sade (1994) love deluxe (1992) stronger than pride (1988) promise (1985) diamond life (1984) סינגלימ: king of sorrow (2001) by your side (2000) cherish the day (1993) kiss of life (1993) feel no pain (1992) no ordinary love (1992) turn my back on you (1988) nothing can come between us (1988) paradise (1988) love is stronger than pride (1988) never as good as the first time (1986) is it a crime (1986) the sweetest taboo (1985) smooth operator (1984) when am i going to make a living (1984) your love is king (1984) וכיאה לדיווה אמיתית, הנה ביוגרפיה קצרצרה (תרגמו לבד
) sade adu didn't set out to be a role model. and yet by always being true to herself, and never once compromising either her principals, or her music, she is one of the most potent musical icons of our generation. when she emerged in the mid 80s, seemingly out of nowhere, playing soul music with a hint of jazz, she was the icon of cool. but as time went by, and she took ever greater control of the multifarious aspects of record production - writing and producing - sade was recast as an icon of womanhood. naturally it was all too much for her detractors who just couldn't get their heads around someone looking so good being so gifted, determined and adroit; sade didn't fit into the established scheme of things where female artists were eye candy in a male driven industry. but to her millions of fans around the world, and the countless singers and musicians who offer sade their thanks, she is a constant source of inspiration. however, ironically sade adu is both an icon, and an iconoclast. she is the myth, the enigmatic diva who has presided over 30 million albums sales. who cherishes her private life more anything else and prefers the company of old friends to the glitterati lifestyle. but she is also the myth breaker who has dismantled many of the old music business ways, taking the power of creative control away from the men in suits and putting it where it belongs, with the musicians themselves.
 
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